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New releases accommodate “The Photograph,” “Sonic the Hedgehog” and more

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Opening

American Factory

(NR) Not previewed for our critics

In post-industrial Ohio, a Chinese billionaire opens a branch in an alone General Motors plant, hiring two thousand Americans. Early canicule of achievement and optimism accord way to setbacks as high-tech China clashes with banal America. TV-14. 110 minutes. David Minor.

Come to Daddy

2½ stars

If there’s one affair “Come to Daddy” aims to do, and at which it succeeds, it’s to capsize all expectations one ability accept about the blur time and time again. Elijah Wood’s accomplished and compassionate achievement proves to be the ballast point, the anchorage in this bloody, barnyard storm. R for able violence, accent throughout, animal agreeable and clear nudity. 93 minutes. City Lights Cinemas.

Read the analysis here.

Cunningham

(NR)

“Cunningham” registers the attrition that its accountable encountered: the puzzlement, the befuddled fruit. But as a film, it doesn’t booty commensurable risks, so it precludes the achievability of assertive rewards, ones you accept to see the abounding dances to get. That’s what makes it a acceptable introduction. PG for some smoking. 93 minutes. Bijou Art Cinemas. (Print-only review)

Downhill

2½ stars

A “force majeure” is a acknowledged appellation apropos to accustomed and certain catastrophes that acquit parties from accomplishing any obligations disconnected by said event. That appellation is a bit added circuitous than “Downhill,” but afresh again, so is aggregate about it. The capacity that are unspoken, gestured at and repressed in “Force Majeure” are fatigued out and fabricated broad, accessible and ball in “Downhill,” which spoon-feeds the acquaint of the dark-ish ball and cuts abbreviate the artifice for the easiest-to-digest ending. Still, “Downhill” retains the capital DNA of “Force Majeure,” and accordingly charcoal a aberrant and annoying allotment of work. R for accent and some animal material. 86 minutes. Regal 15, Cinemark 17, City Lights Cinemas.

Read the analysis here.

Fantasy Island

(NR) Not previewed for our critics

A abhorrence adjustment of the accepted ’70s TV appearance about a bewitched island resort. PG-13 for violence, terror, biologic content, evocative actual and abrupt able language. 110 minutes. Regal 15, Cinemark 17.

The Photograph

3½ stars

In “The Photograph,” a soulful and developed adventurous drama, Issa Rae and Lakeith Stanfield brilliant as tentative, ambitious lovers in modern-day New York. He’s a annual biographer on an appointment and she’s a building curator. They aboriginal affix over a photograph of her mother that unlocks mom’s backstory, set in 1980s Louisiana. That’s addition additional for the film: Value — not one but two adulation stories. PG-13 for female and abrupt able language. 106 minutes. Regal 15, Cinemark 17.

Read the analysis here.

Sonic the Hedgehog

3 stars

Ah, the joy of a kids’ cine that doesn’t accept any fart jokes. Or at atomic one that comes close. “Sonic the Hedgehog” may accept one moment of flatulence, but this amalgam of live-action and CGI activity gets abroad with it, contrarily bypassing the all-too-common bargain activity for a chance that’s loaded with acute humor, abrupt chat and the big dejected affection assault at its center. PG for action, some violence, abrupt amusement and abrupt balmy language. 100 minutes. Reviewed today on Page D6. Regal 15, Cinemark 17, City Lights Cinemas.

Read the analysis here.

Continuing/Returning

1917

4 stars

It’s been a acceptable time for Apple War I buffs — abnormally if they’re additionally cine buffs (think “They Shall Not Grow Old”). In the affection blur “1917,” addition of our best accomplished directors, Sam Mendes, has analogously taken top technology — and the best cinematography, address of Roger Deakins — to accord us a different, appropriately acute attending at that atrocious war, through the eyes of two accustomed soldiers asked to accomplish an amazing task. R for violence, some advancing images, and language. 119 minutes. Regal 15, Cinemark 17, Broadway Metro.

63 Up

(NR)

After added than a bisected century, the “Up” movies can be as adamantine to put your accoutrements about as they are to resist. The sui generis documentary activity — the latest and ninth chapter is “63 Up” — began in 1964 as a stand-alone assembly for Granada Television. Time passes, but the movies accept remained structurally consistent, which helps affix the chapters. No Motion Picture Association of America rating. 180 minutes. Broadway Metro.

Bad Boys for Life

2 stars

It’s black that “Bad Boys for Life” swerves into awe-inspiring neighborhoods and gets aggrandized as it tries to get deep, aggravating to analyze capacity like religion, mortality, biological determinism, alone bequest and aging. It’s abnormally collapsed and unfunny and has absent so far from its abrasive roots that it ability be alleged “Bad Boys for Activity Insurance.” R for strong, blood-soaked violence, accent throughout, animal references and abrupt biologic use. 124 minutes. Regal 15, Cinemark 17, City Lights Cinemas.

A Beautiful Day in the Neighborhood

4 stars

Where is the anecdotal astriction in a appearance so universally cherished? How can you accomplish a Mr. Rogers cine that isn’t a bald homesickness cruise or heaping atom of arid sentiment? Conceivably best daunting: Why alike try aback there’s a documentary — aftermost year’s “Won’t You Be My Neighbor?” — that told Fred Rogers’s chance so splendidly? “A Beautiful Day in the Neighborhood” answers all those questions with appearance and smarts, proving that, with the adapted cast, calligraphy and adroit direction, alike the best accustomed chance can feel new — and, accustomed the tenor of these times, actively needed. PG for some able contemporary material, a abrupt activity and some agilely base language. 108 minutes. David Minor.

Color Out of Space

2½ stars

There are abounding affidavit abhorrence cine buffs accept been agilely apprehension “Color Out of Space,” an adjustment of an H.P. Lovecraft chance from Elijah Wood’s SpectreVision assembly company. But for anyone else, a four-word litmus analysis will actuate aloof how abundant of a bang you’ll get out of it: Nicolas Cage, alpaca farmer. For those whose eyes aloof formed out of their active at the anticipation of the 56-year-old Oscar champ in yet addition B-movie — they assume to be his bread-and-butter these canicule — there’s apparently not abundant that can reel you back. But for those who ability accept yelped with delight, you’re in for a agreeable performance, address of an amateur who has become the aberrant of best for camp auteurs everywhere. No Motion Picture Association of America rating. 111 minutes. Broadway Metro.

Dolittle

1 star

Do little? They could not accept done less. The alone adapted adjective for this “Dolittle” is “hasty.” Aggregate feels abrupt and half-rendered; the artifice gain in a appearance that could alone be declared as perfunctory. One hopes this is absolutely the third time they attempt it, as anybody on awning seems to be in a barrier daze, abnormally Robert Downey Jr. as the frazzle-dazzled doctor. PG for some action, abrupt amusement and abrupt language. 106 minutes. Regal 15, Cinemark 17.

Fantastic Fungi

(NR)

“Fantastic Fungi” is a time-lapse chance from 2019 Maui Blur Festival Visionary Award honoree and administrator Louie Schwartzberg about the abstruse apple of fungi. No Motion Picture Association of America rating. 81 minutes. Broadway Metro.

Ford v Ferrari

3½ stars

This communicable and absorbing chance of the 1966 showdown on a French racetrack amid car giants Ford and Ferrari is a high-octane ride that will accomplish you aimlessly barge on a apparitional gas pedal from your cine seat. But you don’t charge to be a motorhead to adore Matt Damon and Christian Bale as a brace of rebels risking it all for abstention and glory. PG-13 for some accent and peril. 152 minutes. David Minor.

The Gentlemen

2½ stars

There isn’t abundant that’s abnormally affable about “The Gentlemen,” the new Guy Ritchie cine that the filmmaker’s ability admirers will be activated to apprehend is a acknowledgment to what he does best: a funny, violent, boisterous shaggy-dog chance of a abomination escapade featuring an ensemble casting brindled with bright characters played by name actors. R for violence, awkward accent throughout, animal references and biologic content. 113 minutes. Regal 15, Cinemark 17, City Lights Cinemas.

Gretel & Hansel

½ star

“Gretel & Hansel” is as visually arresting as it is tedious, a 90-minute cine that absolutely should accept been a 3-minute music video for Marilyn Manson or Ozzy Osbourne. It’s in the abhorrence brand alone loosely. It’s added eerie, if that’s a genre. Actually, it’s like alarming for 90 minutes. It’s dreadful. PG-13 for advancing images/thematic content, and abrupt biologic material. 87 minutes. Regal 15, Cinemark 17.

Harley Quinn: Birds of Prey

3 stars

Even admitting the Joker is all the acerbity these days, acknowledgment to Joaquin Phoenix in that added movie, Harley Quinn, portrayed by the calmly absorbing Margot Robbie, proves a aces accountable of her own film, abnormally with her arresting background, her burst accomplished and her “obsessive-compulsive charge for attention,” in her words. R for able abandon and accent throughout, and some animal and biologic material. 109 minutes. Regal 15 (IMAX 2-D), Cinemark 17, City Lights Cinemas, Broadway Metro.

A Hidden Life

3 stars

It feels like Terrence Malick’s way of filmmaking gets in the way. Alike on his recent, below accepted movies (“Song to Song,” “Knight of Cups”), it’s been absurd to brainstorm them fabricated by anyone else. But this time it’s appetizing to accede what a added absolute administrator ability accept done with “A Hidden Life.” Malick’s cine is acutely open-hearted, abstract and ruminative. But it ability accept benefited from actuality brought bottomward to Earth. PG-13 for contemporary actual including agitated images. 174 minutes. City Lights Cinemas.

Jojo Rabbit

3 stars

Now comes the boldly, aboveboard arbitrary “Jojo Rabbit” by New Zealand administrator Taika Waititi, who attempts this fiendishly difficult acclimation act at a time aback Nazi jokes assume alike added almighty and alarming than a few decades ago. And that is absolutely the point, Waititi says: Now, abnormally now, is the time to admonish adolescent ancestors of what happened added than 70 years ago. And what bigger tool, as Mel Brooks has posited, than humor? That’s his argument, anyway. PG-13 for complete contemporary content, some advancing images, abandon and language. 108 minutes. David Minor.

Joker

2 stars

A grim, shallow, distractingly acquired admiration to 1970s movies at their grittiest, “Joker” continues the arguable darker-is-deeper attitude that Christopher Nolan helped arrange with his “Batman”x films. Here, administrator Todd Phillips — best accepted for abominable bro-downs such as “The Hangover” — takes the tonal atmosphere to an alike added grisly, anarchic level, throwing out accurate references as fast as he can attending up Martin Scorsese’s filmography. R for able blood-soaked violence, advancing behavior, awkward accent and abrupt animal images. 122 minutes. Regal 15.

Just Mercy

3½ stars

The stirring, beautiful acknowledged ball “Just Mercy” feels accustomed on several levels. The chance of a abominably accused man beatific to afterlife row, it joins such films as “Dead Man Walking” and the added contempo “Clemency” as an affecting assay of how amends is abashed with atrocious retribution. PG-13 for complete contemporary actual including some ancestral epithets. 137 minutes. Bijou Art Cinemas.

Jumanji: The Next Level

2½ stars

The creators of the latest “Jumanji” aftereffect accept amorphous from an age-old apriorism — if it ain’t broke, don’t fix it. And they’ve taken agenda of added acknowledged franchises to accept what charge absolutely be a new Hollywood adage — aloof add more. So “Jumanji: The Next Level” brings calm the aforementioned director, writers and actors who fabricated the 2017 reboot so fun and afresh layers in added stars additional added locations and appropriate effects. The aftereffect is a abundantly successful, if added asymmetric ride. It’s additionally abnormally contemplative and melancholic. PG-13 for chance action, evocative agreeable and some language. 123 minutes. Regal 15, Cinemark 17.

Knives Out

3½ stars

Rian Johnson’s “Knives Out” unravels not aloof a acceptable ancient annihilation abstruseness but the actual bolt of the whodunit, affairs at apart accoutrement until it has intricately, devilishly alloyed calm article new and awfully delightful. PG-13 for contemporary content, some advancing images and able language. 126 minutes. Regal 15, Broadway Metro.

Little Women

4 stars

There is a agrarian coercion to Greta Gerwig’s “Little Women” that hardly seems accessible for a blur based on a 150-year-old book. But such is the abracadabra of accumulation Louisa May Alcott’s constant chance of those four sisters with Gerwig’s deliciously feisty, evocative and clear-eyed storytelling that makes this “Little Women” a new classic. While no curtailment of “Little Women” adaptations exist, Gerwig makes chastening avant-garde and sharp, while still adhering to its acceptable root. PG for contemporary elements and abrupt smoking. 134 minutes. Cinemark 17.

Once Upon a Time … in Hollywood

3½ stars

“Once Upon a Time … in Hollywood,” set in 1969 Los Angeles, is Quentin Tarantino’s best affectionate and agitating ode yet to the cine business. It’s a breezy, befuddled Hollywood allegory that luxuriates in the simple pleasures of the movies and the bright agitate of the Dream Factory’s backlot. Some pleasures are nostalgic, and some — like active bottomward Sunset Boulevard or martinis at Musso & Frank — are everlasting. R for accent throughout, some able clear violence, biologic use, and animal references. 161 minutes. David Minor.

Parasite

4 stars

“Parasite” is Bong Joon-ho’s best adult blur to date, expertly advised with amazing reveals, and attempt with a smooth, glace sheen, anniversary anatomy and camera movement communicating a hidden artifice aberration or theme. Invisible chicane ripple the chance forth its assured path. The ensemble casting is outstanding, their performances both abrupt and acutely humane. The blur is angrily funny and devastatingly topical, tugging at the issues of assets and chic inequality, which motivates aggregate the Kims do, while the affluent Parks accept the advantage to avoid it all. The operatic, blood-soaked afterpiece and austere accident draws the fantasy of artifice one’s own affairs into a aciculate relief, ultimately acute the airship of comedy, abrogation tragedy in its wake, and the arduous celebration of Bong’s seventh affection film, his best yet. R for language, some abandon and animal content. 132 minutes. Cinemark 17, City Lights Cinemas, Broadway Metro. In Korean, with English subtitles.

Spies in Disguise

3 stars

To all appearances, the activated ball “Spies in Disguise” is aloof addition a antic sendup of superspy thrillers. As befits a cine about artful activity, however, there’s added than meets the eye here. Hidden below its parodistic action-comedy exoteric is a message, one that doesn’t set out to alone burlesque the brand but to playfully catechism about aggregate about it. PG for action, abandon and abrupt humor. 103 minutes. Cinemark 17.

Star Wars: The Rise of Skywalker

2 stars

Not abundant has acquired a agitation in the “Star Wars” galaxy absolutely like Rian Johnson’s “The Aftermost Jedi,” an aberrant but electric cine that, behindhand of how you acquainted about it, was article account arguing about. The aforementioned can’t be said for J. J. Abrams’ “Rise of Skywalker,” a scattershot, impatiently paced, fan-servicing afterpiece that repurposes so abundant of what came afore that it feels as admitting addition analytic for the hyperspace button accidentally apprenticed the circuit aeon instead. A laundry account of artifice credibility array like an asteroid acreage in “Rise of Skywalker.” It’s a spirited, animated and ultimately forgettable cessation of the Skywalker adventure amorphous 42 years ago by George Lucas. PG-13 for sci-fi abandon and action. 142 minutes. Regal 15, Cinemark 17.

Uncut Gems

3½ stars

In his antecedent films, Adam Sandler presents the asperity of a man-child, addition who has age-old physically and conceivably intellectually but not emotionally. How does such a man get through life, and what about the bodies who accept to alive with him? Can he survive, and can they? In his best performances, Sandler offers a dark, able-bodied analysis of this accompaniment of actuality that absolutely tells us something. And his achievement in “Uncut Gems” is absolutely one of his best. R for common able language, violence, some animal agreeable and abrupt biologic use. 135 minutes. Broadway Metro.

Weathering With You

3 stars

“Weathering With You” may not ability the heights of “Your Name,” but it still achieves article impressive: It tells a chance that, after sugarcoating the ecology challenges that lie ahead, manages to end on a hopeful note. PG-13 for evocative material, some abandon and able language. 111 minutes. Broadway Metro. In Japanese, with English subtitles.

Star Ratings

4 stars — Excellent

3 stars — Good

2 stars — Fair

1 brilliant — Poor

NR — No rating/not previewed for our critics

Theaters

Bijou Art Cinemas — 492 E. 13th Ave. (541-357-0375)

Broadway Metro — 43 W. Broadway (541-686-2458)

Cinemark 17 — 2900 Gateway St., Springfield (541-746-5531)

City Lights Cinemas — 1930 Highway 101 N, Florence (541-305-0014)

David Minor Theater — 180 E. Fifth Ave. (541-762-1700)

Regal Valley River Centermost Stadium 15 — 500 Valley River Centermost (844-462-7342, Ext. 1764)

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